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LIFE IS SUCKING THE LIFE OUT OF ME
Jesse Wiedel, Alejandro Garcia, Owleyes and Danger Dan

January 17, 2009

 

JESSE WIEDEL

   
   
ALEJANDRO GARCIA    
       
OWLEYES    

       
DANGER DAN    

 

 

 

 

Alejandro Garcia
Born in Tapachula Chiapas Mexico in 1982. Alejandro's work is a mix of painting, drawing, sculpture, photo, video, engraving and performance. His obsession with American culture exposes his dark fixation of decaying icons: rock stars, science fiction characters and porn stars. Playing with humor, irony and defamation, Alejandro makes us faithful followers of the human experience: death.

Danger (Dan Wininger)
Danger is an esoteric bookseller and self taught, hand cut, hand glued collage artist. Born & raised in L.A. Danger has never flown in a jet or airplane, never owned a cell-phone or credit card. Danger is the owner of Amok/Koma Bookstore for many years & worked with Feral House Books for over 6 years.


Jesse Wiedel
Raised in a small, rural community outside of the Central Valley town of Redding, California. After spending his younger life navigating the cultural void of back road America, he eventually migrated to the city and received his degree in painting at the San Francisco Art Institute. He has spent the last fifteen years making art in Humboldt County, California. Jesse's paintings can be read as satiricle, social criticism, or psychological horror. No matter how problematic the subject matter may be, he usually affords his subjects a measure of heroism alongside the ridicule. This love/hate stance about the foibles of humanity stems from his long-term familiarity with small towns. He works mainly in oil paint, in a style that is both illusionistic and painterly.


Owleyes (James Wiegel)

James's mother was an artist and devout Greek Orthodox which instilled, at a very early age, an understanding that art was something that came from a higher realm and could actually be a form of prayer. Drawing from an instinctual knowledge of ritual and mystical practices, his work functions as a physical manifestation to focus on the divine. These sacred images serve as focus points in the formation and realization of higher states of being in the physical realm, opening new modes of perception. Sharing these meditations with others creates a polarity between the solitary and communal that brings about a higher union of the transmutations.